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Photos That Capture the Soul of San Francisco
Taken in the late 1960s and early 1970s, these long hidden photographs by Barbara Ramos have just been published in “A Fearless Eye.”

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Barbara Ramos’s black-and-white street photographs from the late 1960s and early 1970s, when she was a student at the San Francisco Art Institute, are far from the fanfare of the Summer of Love. Instead, the art historian Sally Stein writes in A FEARLESS EYE: The Photography of Barbara Ramos (Chronicle, $35), they make for a “multifaceted chronicle” of a “society brewing with diversity” in which, improbably, “the center still held.”
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Born in New York City but raised in Los Angeles, Ramos documented the in-between moments of urban living, in images that fill the frame with small and mesmerizing details. A couple waiting for the bus on 16th Street, leaning against the wall that borders the grassy park; a man napping on the hood of his car at Altamont near a group of hippies; a salesman standing in front of a wall of shoe boxes; a daydreaming grandmother rocking a stroller in front of a store window in Chinatown. The clothes and hairstyles feel nostalgic but not saccharine, sideburns and cigarettes placing the images firmly in their era.
“I felt like I became the people I was photographing,” Ramos tells Steven A. Heller in one of the book’s introductory essays. “Every waking minute I was obsessed by looking, by exploring the world.”
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Shortly after this series was taken, Ramos put away her camera and her images for 50 years to become a jewelry maker. In 2020, she unearthed negatives, scanned the images and posted them on Facebook, a single photo each day.
Published for the first time in “A Fearless Eye,” Ramos’s work captures minute and mesmerizing everyday scenes in a city that was about to change drastically.
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