

"The Golem" ("The Monster"), by Niki de Saint Phalle, Kiryat Hayovel, 1985. Credit: Aliza Auerbach
On the tenth anniversary of photographer Aliza Auerbach's death, a new exhibition focuses on the singular, deeply personal perspective through which she portrayed Israel's capital

"At 25, before my first trip abroad, my grandmother gave me a simple camera so I could bring back mementos from the journey," photographer Aliza Auerbach recalled in a 1992 interview with the daily newspaper Davar.
Unlock Haaretz for only $1 for the first month
Already signed up? Log in
Register with your email to unlock this article
One smart daily email. No spam. By registering, you agree to Haaretz's terms and conditions










